Tango Orchestra Rhythms – Dos, Cuatro, and Sincopa

Overview:

To notice the different rhythmic patterns used by the majority of Tango composers in the Golden Age. The three main rhythms discussed were Cuatro, Dos, and Sincopa. Each of these occur within 4 beats of music and were demonstrated by having the class walk on beats 1 and 3 and clapping on the appropriate beats for each rhythm.

 

 

The Cuatro Rhythm: 

 

 This rhythm accents each beat in the measure. If I count 1 2 3 4, I would be walking on beats 1 and 3, but clapping my hands on each of the four beats: 

1. walk + clap
2. (pause) clap
3. walk + clap
4. (pause) clap

The Dos Rhythm:

 

This rhythm accents only beats 1 and 3, the same beats we walked on. If I count 1 2 3 4, I would be walking and clapping on beats 1 and 3, and pausing without clapping on beats 2 and 4:

1. walk + clap
2. pause
3. walk + clap
4. pause

 

The Sincopa Rhythm: 

 

This rhythm was a little more complicated, but is present in all Golden Age Tango compositions. If you cut each of the four beats in the measure in half, you would count the measure like this:

 

1 (and) 2 (and) 3 (and) 4 (and)

 

You would say the number and the word and in between each beat. Once again, count the above measure out loud and clap where you see bold orange text:

 

1 (and) 2 (and) 3 (and) 4 (and)

 

Another way of seeing it would be this way:

 

1 + 2 + 3 + 4 +

 

Incorporating the Rhythms into Walking:

Realize that the walking beats in Tango are musically accented by notes played on the piano and upright bass. Sometimes the two instruments will play different rhythms, but the improvisational nature of Tango music and dance says you can choose to step on whichever rhythm being played (or that you hear personally). The music used during these exercises is entitled Milongueando En El 40 by Anibal Troilo.

 

Download the song here